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Lee Filters are one of the leading manufacturers of lighting gel in the world. There are literally hundreds of colours available to choose from depending on your lighting requirment. We have listed below the lee filters reference number along with the lighting filter name and the description of the effect that particular lighting gel will produce. We hope you find it useful and look forward to being of service to you in the future,

LEE FILTERS NO. LEE FILTER NAME LIGHTING GEL DESCRIPTION
       
Lee Filters 002 Rose Pink Strong pink wash, good for cycloramas.
Lee Filters 003 Lavender Tint Subtle cool wash for stage and studio lighting.
Lee Filters 004 Medium Bastard Amber Naturally enhances skin tones.
Lee Filters 007 Pale Yellow Sunlight.
Lee Filters 008 Dark Salmon Enhances dark skin tones, sunsets, ballroom sets.
Lee Filters 009 Pale Amber Gold Perfect warm front light for any skin tone.
Lee Filters 010 Medium Yellow A pure bright yellow. Great for special effects and accents. Use with caution in acting areas.
Lee Filters 013 Straw Tint Warmer than other straw colours. A good sunlight effect when used in contrast with ambers and blues.
Lee Filters 015 Deep Straw A warm amber light. Good for effects such as candlelight and fire.
Lee Filters 017 Surprise Peach Good for skin tones and creating a moody lighting effect.
Lee Filters 019 Fire A strong red/amber. Great for fire effects.
Lee Filters 020 Medium Amber Good for afternoon sunlight and candlelight. Also great for side lighting.
Lee Filters 021 Gold Amber Great for sunsets, cyclorama lighting and fire effects.
Lee Filters 022 Dark Amber A good backlight.
Lee Filters 024 Scarlet Great for pantomimes, ballroom sets and fire effects.
Lee Filters 025 Sunset Red A good warm stage wash, TV studio wash or sunset effect.
Lee Filters 026 Bright Red A vibrant red, good for cyclorama lighting.
Lee Filters 027 Medium Red Good for cyclorama lighting, side lighting and footlights. Also good for colour mixing.
Lee Filters 029 Plasa Red Good for fire effects, musicals and cycloramas.
Lee Filters 035 Light Pink A warm wash good for musical reviews.
Lee Filters 036 Medium Pink Good for general washes and side lighting.
Lee Filters 039 Pink Carnation A soft, cool pastel pink, good for backlighting and general colourwash.
Lee Filters 046 Dark Magenta A very strong pink, good for backlighting.
Lee Filters 048 Rose Purple Good for emulating evening. Great backlight.
Lee Filters 049 Medium Purple A strong cheerful glow, good for cycloramas and pantomimes.
Lee Filters 052 Light Lavender Good for general areas and side lights. Great for a basic followspot colour as well as an excellent backlight.
Lee Filters 053 Paler Lavender A subtle cool wash.
Lee Filters 058 Lavender An excellent backlight that creates a new dimension.
Lee Filters 061 Mist Blue A cool wash good for night scenes.
Lee Filters 063 Pale Blue Cool front light wash, good for creating an overcast look for cold weather.
Lee Filters 068 Sky Blue Good for morning skin tones and night skies. Great for cyclorama lights.
Lee Filters 071 Tokyo Blue A deep blue, used for midnight scenes and cyclorama lighting.
Lee Filters 075 Evening Blue Good for night scenes and romantic moonlight.
Lee Filters 079 Just Blue A good colour mixing blue. Great for cyclorama lighting.
Lee Filters 085 Deeper Blue A deep warm blue. Good for back and side lighting.
Lee Filters 088 Lime Green Use with gobos for leafy glades. Good for pantomimes, giving a slightly sinister atmosphere.
Lee Filters 089 Moss Green Good mood creator. Used with gobos, creates a great foliage effect.
Lee Filters 090 Dark Yellow Green Highlighting for forest effects.
Lee Filters 100 Spring Yellow A sunlight wash - use with gobos, disco and dark skin tones.
Lee Filters 101 Yellow Sunlight and window effect - pleasant in acting areas.
Lee Filters 102 Light Amber A warm yellow colour. Great for candlelight or warm bright sunlight effects.
Lee Filters 103 Straw Pale sunlight through a window and a good warm winter effect.
Lee Filters 104 Deep Amber Good for sunlight effect, accents and side light. Be careful of skin tones under the reddish tint of this colour.
Lee Filters 105 Orange Good for light entertainment and functions. Creates a good fire effect when used with 106, 166, 104.
Lee Filters 106 Primary Red Strong red effect. Good with cyclorama lighting.
Lee Filters 107 Light Rose Good for general washes and followspots.
Lee Filters 108 English Rose Warm tint wash. Dark flesh tones and softer skin tones.
Lee Filters 109 Light Salmon Interesting backlight.
Lee Filters 110 Middle Rose Pleasing effects for theatrical lighting.
Lee Filters 111 Dark Pink Good for cyclorama lighting.
Lee Filters 113 Magenta Very strong - used carefully for small areas on set.
Lee Filters 115 Peacock Blue A pleasing effect on set Good for cyclorama and backlighting (e.g. ice rinks, galas, etc).
Lee Filters 116 Medium Blue-Green A pleasing effect for theatrical lighting.
Lee Filters 117 Steel Blue Good for cool washes. Adds a pale green tint. Great for emulating icy weather on stage.
Lee Filters 118 Light Blue A strong night effect.
Lee Filters 119 Dark Blue Good for mood effects created by backlighting and side lighting. Creates great contrast.
Lee Filters 120 Deep Blue A pleasing effect for theatrical lighting.
Lee Filters 121 LEE Green Good for dense foliage, tropical jungle or woodland effect.
Lee Filters 122 Fern Green Good for cycloramas and creates a great mood effect.
Lee Filters 124 Dark Green Good for cycloramas and backlighting.
Lee Filters 126 Mauve Good for backlighting. Dark magenta / purple adds drama and mood.
Lee Filters 127 Smokey Pink Good for cycloramas, set lighting and discos.
Lee Filters 128 Bright Pink Created for use as backlighting and side lighting. Great for musicals.
Lee Filters 130 Clear Used in animation and projection work.
Lee Filters 131 Marine Blue Good for romantic moonlight. Often used in ballet and underwater scenes.
Lee Filters 132 Medium Blue Deep moonlight. Great for colour mixing.
Lee Filters 134 Golden Amber Great for emulating a sunset. Also good for side lighting and cyclorama lighting.
Lee Filters 135 Deep Golden Amber A great fire effect.
Lee Filters 136 Pale Lavender Great for pantomimes and ballroom sets. Also enhances dark skin tones in follow spots.
Lee Filters 137 Special Lavender Good for moonlight and musical / romantic scenes. Enhances skin tones.
Lee Filters 138 Pale Green Good with gobos for wooded scenes.
Lee Filters 139 Primary Green Good for set lighting and cyclorama lighting.
Lee Filters 140 Summer Blue Good for light midday sky. Light blue tinted wash.
Lee Filters 141 Bright Blue Very dramatic when used as moonlight.
Lee Filters 142 Pale Violet Great Moonlight effect. Good for cyclorama lighting and highlighting foliage on plants. 
Lee Filters 143 Pale Navy Blue Great moonlight / night effect.
Lee Filters 144 No Colour Blue A clean blue with hints of green. Good for moonlight and sidelight.
Lee Filters 147 Apricot Good for sunrise, sunset and lamplight effects.
Lee Filters 148 Bright Rose Great for fire effects and musicals.
Lee Filters 151 Gold Tint A pleasing effect for theatrical lighting.
Lee Filters 152 Pale Gold Used with interior lighting to enhance skin tones.
Lee Filters 153 Pale Salmon Good for backlighting in conjunction with white light.
Lee Filters 154 Pale Rose A pleasing effect for theatrical lighting. A good lamplight effect.
Lee Filters 156 Chocolate Warms light and reduces the intensity.
Lee Filters 157 Pink Great for dance sequences (useful for softening white costumes without affecting skin tones).
Lee Filters 158 Deep Orange A great fire effect.
Lee Filters 159 No Colour Straw A warm effect. Sunlight.
Lee Filters 161 Slate Blue A pure medium blue.Good for skies, moonlight and dusk effects.
Lee Filters 162 Bastard Amber A warm white / warm wash. Good lamplight effect.
Lee Filters 164 Flame Red Great for fire effects.
Lee Filters 165 Daylight Blue Great for moonlight effect.
Lee Filters 166 Pale Red Good for cyclorama lighting.
Lee Filters 169 Lilac Tint A pale lavender. Good for almost white light with a cool tint.
Lee Filters 170 Deep Lavender Great for set lighting, discos and theatres.
Lee Filters 172 Lagoon Blue A floodlit warm wash. Great for underwater scenes and ballet.
Lee Filters 174 Dark Steel Blue Great for set lighting. Creates good moonlight shadows.
Lee Filters 176 Loving Amber Used for backlighting and general areas. Great for sunrise effect and warming skin tones.
Lee Filters 179 Chrome Orange A combination of 1/2 CTO and double strength 104, perfect for sunlight.
Lee Filters 180 Dark Lavender A pleasing effect for theatrical lighting and backlighting.
Lee Filters 181 Congo Blue Looks like black light when used with a fluorescent source. Great effect colour. Very saturated.
Lee Filters 182 Light Red Good for theatre and television effect lighting as well as cycloramas.
Lee Filters 183 Moonlight Blue Good for moonlight effect and cycloramas.
Lee Filters 184 Cosmetic Peach A warm highlight or front light; complimentary for most skin tones.
Lee Filters 185 Cosmetic Burgundy A warm highlight or front light; complimentary for most skin tones.
Lee Filters 186 Cosmetic Silver Rose A warm highlight, leaning towards pink. Brings out pink pigment in skin tones
Lee Filters 187 Cosmetic Rouge A warm highlight leaning toward apricot, good for warm front light, complimentary to most skin tones.
Lee Filters 188 Cosmetic Highlight A warm highlight leaning toward amber, good for warm front light, complimentary to most skin tones. Barbara Walters' favourite colour!
Lee Filters 189 Cosmetic Silver Moss A cool highlight leaning towards yellow-green; good for use on mid range skin tones, avoid use on very dark and very pale skin tones
Lee Filters 190 Cosmetic Emerald A cool highlight leaning towards blue-green, good for cool front light.
Lee Filters 191 Cosmetic Aqua Blue A cool highlight leaning towards blue, good for cool front light.
Lee Filters 192 Flesh Pink Good for musical and pantomime key lighting.
Lee Filters 193 Rosy Amber Warm, emotional and romantic.
Lee Filters 194 Surprise Pink Good for musicals.
Lee Filters 195 Zenith Blue Creates a good moonlight effect on a dark set. Also good for cycloramas.
Lee Filters 196 True Blue Great for moonlight effect.
Lee Filters 197 Alice Blue Great for cyclorama lighting and creating deep blue skies cyclorama cycloramas
Lee Filters 198 Palace Blue Good for dark moonlight or a romantic evening.
Lee Filters 199 Regal Blue A deep lavender blue that strongly enhances skin tones.
Lee Filters 200 Double C.T. Blue Converts tungsten (3200K) to daylight (26000K) 
Lee Filters 201 Full C.T. Blue Converts tungsten (3200K) to photographic daylight (5700K).
Lee Filters 202 Half C.T. Blue Converts tungsten (3200K) to daylight (4300K).
Lee Filters 203 Quarter C.T. Blue Converts tungsten (3200K) to daylight (3600K).
Lee Filters 204 Full C.T. Orange Converts daylight (6500K) to tungsten light (3200K).
Lee Filters 205 Half C.T. Orange Converts daylight (6500K) to tungsten light (3800K)
Lee Filters 206 Quarter C.T. Orange Converts daylight (6500K) to tungsten light (4600K).
Lee Filters 207 Full C.T.Orange + .3ND Converts daylight (6500K) to tungsten (3200K) and reduces light 1 stop.
Lee Filters 208 Full C.T. Orange + .6ND Converts daylight (6500K) to tungsten (3200K) and reduces light 2 stops.
Lee Filters 209 0.3ND Reduces light 1 stop, without changing colour.
Lee Filters 210 0.6ND Reduces light 2 stops, without changing colour.
Lee Filters 211 0.9ND Reduces light 3 stops, without changing colour.
Lee Filters 212 L.C.T.Yellow (Y1) Reduces colour temperature of low carbon arcs to 3200K.
Lee Filters 213 White Flame Green Corrects white flame carbon arcs by absorbing ultra violet.
Lee Filters 217 Blue Diffusion As White Diffusion but with the addition of Eighth C.T. Blue
Lee Filters 218 Eighth C.T. Blue Converts tungsten (3200K) to daylight (3400K).
Lee Filters 219 LEE Fluorescent Green General tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction.
Lee Filters 221 Blue Frost Used for soft light effects with the addition of 218. Flame retardant.
Lee Filters 223 Eighth C.T. Orange Converts daylight (6500K) to tungsten light (5550K).
Lee Filters 224 Daylight Blue Frost Used for soft light effects with the addition of 201 Full CTB.
Lee Filters 225 Neutral Density Frost Used for soft light effects with the addition of 0.6 Neutral Density.
Lee Filters 226 Lee U.V. Transmission of less than 50% at 410nms.
Lee Filters 230 Super Correction L.C.T.Yellow Converts yellow carbon arc (of low colour temperature) to tungsten.
Lee Filters 232 Super Correction W.F.Green to Tungsten Converts white flame arc to 3200K, for use with Tungsten film.
Lee Filters 236 H.M.I. (to Tungsten) Converts HMI to 3200K, for use with Tungsten film.
Lee Filters 237 C.I.D. (to Tungsten) Converts CID to 3200K, for use with Tungsten film.
Lee Filters 238 C.S.I. (to Tungsten) Converts CSI to 3200K, for use with Tungsten film.
Lee Filters 241 LEE Fluorescent 5700 Kelvin Converts tungsten to fluorescent light of 5700K (cool white/daylight).
Lee Filters 242 LEE Fluorescent 4300 Kelvin Converts tungsten to fluorescent light of 4300K (white).
Lee Filters 243 LEE Fluorescent 3600 Kelvin Converts tungsten to fluorescent light of 3600K (warm white).
Lee Filters 244 LEE Plus Green Used on daylight and tungsten light sources to provide green cast when used in conjuction with discharge lighting.
Lee Filters 245 Half Plus Green Used on daylight and tungsten light sources to provide green cast when used in conjuction with discharge lighting. 
Lee Filters 246 Quarter Plus Green Used on daylight and tungsten light sources to provide green cast when used in conjuction with discharge lighting. 
Lee Filters 247 LEE Minus Green Used on lighting to eliminate unwanted green cast created by discharge light sources on film.
Lee Filters 248 Half Minus Green Used on lighting to eliminate unwanted green cast created by discharge light sources on film.
Lee Filters 249 Quarter Minus Green Used on lighting to eliminate unwanted green cast created by discharge light sources on film. 
Lee Filters 269 LEE Heat Shield A transparent flexible film used to extend the life of filter. 
Lee Filters 278 Eighth Plus Green Provides very slight green cast. Used on daylight and tungsten light sources to provide green cast when used in conjuction with discharge lighting.
Lee Filters 279 Eighth Minus Green Provides very slight correction. Used on lighting to eliminate unwanted green cast created by discharge light sources on film.
Lee Filters 281 Three Quarter C.T. Blue Converts tungsten to daylight.
Lee Filters 285 Three Quarter C.T. Orange Converts daylight (6500K) to tungsten light (3600K).
Lee Filters 298 0.15ND Reduces light 1/2 stop, without changing colour.
Lee Filters 299 1.2ND Reduces light 4 stops, without changing colour.
Lee Filters 322 Soft Green A cool green used for gobo cover, pantomimes and cycloramas.
Lee Filters 323 Jade Used for underwater scenes, cycloramas and backlighting.
Lee Filters 325 Mallard Green Good for mood setting and undergrowth.
Lee Filters 327 Forest Green A deep green for sinister forest scenes, cycloramas and backlighting.
Lee Filters 328 Follies Pink Great for dramatic stage lighting.
Lee Filters 332 Special Rose Pink Great for Pantomimes, light entertainment etc. A good strong stage wash.
Lee Filters 341 Plum Great for romantic and atmospheric set lighting.
Lee Filters 343 Special Medium Lavender Good for theatre and T.V. effect lighting and backlighting.
Lee Filters 344 Violet A good dusk and romantic effect. Also good for skin tones.
Lee Filters 345 Fuchsia Pink Good for musicals, pantomimes and sultry scenes.
Lee Filters 352 Glacier Blue A cold blue, good for cool atmospheric mood setting.
Lee Filters 353 Lighter Blue Good for daylight effects.
Lee Filters 354 Special Steel Blue A cooling blue-green wash for stage and set lighting.
Lee Filters 363 Special Medium Blue Great for cool moonlight and mood effects.
Lee Filters 366 Cornflower Great for pale moonlight and seasonal mood lighting.
Lee Filters 441 Full C.T. Straw Converts 6500K to 3200K - daylight to tungsten light with a yellow bias.
Lee Filters 442 Half C.T. Straw Converts 6500K to 4300K - daylight to tungsten light with a yellow bias.
Lee Filters 443 Quarter C.T. Straw Converts 6500K to 5100K - daylight to tungsten light with a yellow bias.
Lee Filters 444 Eighth C.T. Straw Converts 6500K to 5700K - daylight to tungsten light with a yellow bias.
Lee Filters 700 Perfect Lavender In-between 170 Deep Lavender and 345 Fuchsia Pink, and is good for backlighting and romantic atmospheres.
Lee Filters 702 Special Pale Lavender A cold lavender when used with a full tungsten source, but warms as the source is dimmed. Good as a fill for slow sunset fades.
Lee Filters 703 Cold Lavender A colour that would be great for front / key lighting and that works well with 152 Pale Gold.
Lee Filters 704 Lily A cool lavender with little red content. Good for romantic evening exteriors.
Lee Filters 705 Lily Frost Smoothes PAR or flood washes of large areas. Useful for houselights and a good colour wash for evening events.
Lee Filters 706 King Fals Lavender A cold lavender.
Lee Filters 707 Ultimate Violet Used in musical performances for general colour washes and set lighting.
Lee Filters 708 Cool Lavender For use as a warmer tint without turning yellow and to recreate the colour of fluorescent lighting.
Lee Filters 709 Electric Lilac Provides good colour rendering which creates a sharp edge, adding a touch of drama.
Lee Filters 710 Spir Special Blue A cool industrial blue.
Lee Filters 711 Cold Blue To give a cold/grey HMI effect from a tungsten source. Will also help blend the light when using both tungsten and HMI sources.
Lee Filters 712 Bedford Blue A smoky warm blue. Good for skin tones.
Lee Filters 713 J.Winter Blue A very dark blue with a high UV content. Good when used in high concentrations for a moody and powerful stage colour wash.
Lee Filters 714 Elysian Blue A new deeper version of 197 Alice Blue.
Lee Filters 715 Cabana Blue A deep blue that still has enough transmission to work encouragingly well on television.
Lee Filters 716 Mikkel Blue A romantic blue to produce a night effect.
Lee Filters 717 Shanklin Frost 201 Full CT Blue with frost to soften the beam of profile units.
Lee Filters 718 Half Shanklin Frost 202 Half CT Blue with frost to soften the beam of profile units.
Lee Filters 719 Colour Wash Blue To allow low intensity tungsten to hold a cold/blue feel.
Lee Filters 720 Durham Daylight Frost Smoothes PAR or flood washes of large areas. Useful for houselight and good for entrances from natural light.
Lee Filters 721 Berry Blue Used in musical performances for rear colour wash or set lighting.
Lee Filters 722 Bray Blue A purer blue with very little red in it.
Lee Filters 723 Virgin Blue This is a pure blue, not too green and not too lavender, yet still feels warm for a blue with an early morning feel.
Lee Filters 724 Ocean Blue Useful at low levels of light. Good for dull skies and moonlight.
Lee Filters 725 Old Steel Blue Cool wash, useful for highlights.
Lee Filters 727 QFD Blue a special version of 729 Scuba Blue which is good for backlighting and swimming pool effects.
Lee Filters 728 Steel Green Approaching storms. Overcast days. Cold steely light. Malevolent moonlight.
Lee Filters 729 Scuba Blue Used in musical performances for a rear colour wash or set lighting.
Lee Filters 730 Liberty Green A good green for creating mystery and suspense.
Lee Filters 731 Dirty Ice Dirtier than 730 Liberty Green, more orange, sympathetic with skin tones.
Lee Filters 733 Damp Squib A dirty green, reduces warmth. Good for cross lighting.
Lee Filters 735 Velvet Green A beautiful background colour. Victorian melodrama. A night time green.
Lee Filters 736 Twickenham Green A powerful green with depth, for music or light entertainment.
Lee Filters 738 JAS Green A rich yellowish green. Useful as a concert stage wash where darker skin tone, costume and set are a consideration.
Lee Filters 740 Aurora Borealis Green Primary jungle colour. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.
Lee Filters 741 Mustard Yellow Spooky when used in haze. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.
Lee Filters 742 Bram Brown Dirtier than 156 Chocolate, good for skin tones. Dims well and doesn't go pink at low light levels.
Lee Filters 744 Dirty White Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a dingy effect like a smoky bar.
Lee Filters 746 Brown To give a murky, dirty feel to tungsten. A darker, less pink chocolate.
Lee Filters 747 Easy White Primarily developed for fluorescents to ensure warm, comfortable light and flattering skin tones.
Lee Filters 748 Seedy Pink A smoky pink. Good for tungsten on skin tones.
Lee Filters 749 Hampshire Rose Combines flesh tone warmer 154 Pale Rose with some Hampshire Frost.
Lee Filters 750 Durham Frost A frost that almost completely softens shutter edges and removes hot spots.
Lee Filters 763 Wheat Adds warmth, sunlight.
Lee Filters 764 Sun Colour Straw Adds warmth, bright sunlight.
Lee Filters 765 LEE Yellow Useful for producing a strong sunlight effect.
Lee Filters 767 Oklahoma Yellow A rich blend of bright sunshine and warm ochre overtones.
Lee Filters 768 Egg Yolk Yellow A bold strong chemical yellow, less orange/red than 179 Chrome Orange.
Lee Filters 770 Burnt Yellow A colour that feels warm and dense on camera, a balance between 179 Chrome Orange and 105 Orange.
Lee Filters 773 Cardbox Amber Warm tint for skin tones.
Lee Filters 774 Soft Amber Key 1 Used for producing a warm key light colour. Flame retardant.
Lee Filters 775 Soft Amber Key 2 Used for producing a warm key light colour. Flame retardant.
Lee Filters 776 Nectarine Romantic sunset. Period pieces.
Lee Filters 777 Rust A vivid rust colour effect.
Lee Filters 778 Millennium Gold Useful for lighting architecture: it produces a rich amber when used on a tungsten source, or a much cooler effect when used on a HMI lamp.
Lee Filters 779 Bastard Pink Deep sunset. Useful on dark skin tones.
Lee Filters 780 AS Golden Amber Between 778 Millennium Gold and 135 Deep Golden Amber, but less red. A strong colour good for backlighting.
Lee Filters 781 Terry Red A strong amber red that works well when used against deep reds and dark ambers, in wash combinations and on cycloramas.
Lee Filters 787 Marius Red Nice deep full red. Rose leaf colour.
Lee Filters 789 Blood Red For a deep saturated red effect. Used when a strong vivid red effect is required.
Lee Filters 790 Moroccan Pink A rich natural pink, good for producing late afternoon sun effects.
Lee Filters 791 Moroccan Frost Smoothes PAR or flood washes of large areas. Useful for houselights and good for interior colour washes.
Lee Filters 793 Vanity Fair A rich glamorous pink, good for use on special occasions.
Lee Filters 794 Pretty 'n Pink Creates warm and soft effects.
Lee Filters 795 Magical Magenta Rich mixture of red and pinks.
Lee Filters 797 Deep Purple Used in musical performances for general colour washes and set lighting.
Lee Filters 798 Chrysalis Pink A new deeper lavender with a dash of rose blusher.
Lee Filters 799 Special KH Lavender A deep lavender that brings out the UV.

 

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